Two young crims, Mitch and Pete, break into a building unaware that social worker Clare is working late. Intercoils themes of sex and race with their ugly offspring sexism and racism.
“Superbly constructed … thought provoking and thrilling … a theatrical treat.” Dominion, May 1991.
“… proves that (Sinclair) not only has a gift for comedy, but also can tackle complex moral issues with uncompromising toughness.” Denis Welch, NZ Listener June 1991.
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